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This volume provides invaluable insight into the life and work of Georgia O'Keeffe • Fusing naturalism with abstraction, the intimate with the monumental and the corporeal with the cosmic, Georgia O'Keeffe (1887–1986) made the subject of nature wholly her own. One of the most inventive painters of her generation, O’Keeffe’s highly personal version of modernism is a key component of twentieth-century American art. 

Arranged geographically, Shore's photographs create a living portrait of a beautiful yet contradictory place, from the north at Mount Hermon, through Tel Aviv, the Gaza border, Jerusalem, the West Bank and the Negev, to the Red Sea

•Shore’s photographs, many published here for the first time, draw attention to the minutiae of everyday life that are often overlooked, from peeling posters on public noticeboards, to archaeological sites mid-dig, to graffiti on storefronts

• Features essays from a range of eminent writers, including Yotam Ottolenghi and the New Yorker’s Jane Kramer, each a response to one of Shore’s photographs

• From her early charcoal abstracts and radiant West Texas watercolours through to the triumph of her renowned flower paintings and surrealist-inspired portrayals of bones and clouds in New Mexico, O’Keeffe’s art reflects the solace she found in nature, prizing its capacity to amaze and inspire. This book illustrates O’Keeffe’s work within the context of her husband Alfred Stieglitz’s artistic circle, as well as within the broader history of American and European modernism. The result is an insightful account of the art and life of this pioneering female artist.

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